“When I think of wabi-sabi, the beauty and character of aging, or patina comes to mind. Fading layers of weathered paint on a neglected building or the rusting hulls of ships can be as stunning as an abstract painting. The gentle collapsing of a well-worn chair or soft sagging of a favorite sweater can be wabi-sabi too. Irregularity and imperfection are qualities I would also give to my definition of wabi-sabi.
Although the term is frequently used to describe ceramics, fabrics, handwoven cloth with its slightly uneven selvage and textiles printed by hand with variations in ink density and hue, equally possess what I consider wabi-sabi sensibility. When objects’ beauty deviates from perfection, they take on a wabi-sabi aesthetic.
I was once asked how I achieve the primitive look in my ceramics. The only answer I could give is that I just do the best I can, and that’s how things turn out. One could say that my work has a “wabi-sabi” style. Despite my sincerest efforts, the result of my labors is always just a little crooked or a bit off center. If one accepts a wabi-sabi philosophy, imperfections are a sign of humbleness and humanness, guiding one toward a gentler, more tolerant definition of beauty”.
You must be logged in to post a comment.